當我厭倦了如此紛陳雜沓的藝術現況; 相對於太多藝術家在面對自身傳統時的束手無策,我更堅定態度,選擇如實 娓娓道來我心中思念已久的琵琶⋯。
「琵琶弦上說相思」、「四弦千遍語,一曲萬重情」,琵琶傳統音樂語彙如 詩如賦。時而低語細訴,時而豪邁壯闊。相較於許多言不及義的當代創作, 在這樣的傳統面前我們只能謙卑!我從不覺得這些傳統音樂離我們是遙遠 的!「江畔何人初見月、江月和年初照人?」面對生命的感懷,從來都是沒 有時空差距的。
在此,要再度感謝我兩位如師如父的恩師。一位是已故的浦 東派琵琶宗師林石城先生;他教會了我浦東派琵琶美學的恣意瀟灑、文武判 然。
另一位是我一生的導師林谷芳先生;在他身教言教的薰陶中,我深切體 悟到「何為傳統的當代性」。終於,當我厭倦了如此紛陳雜沓的藝術現況; 相對於太多藝術家在面對自身傳統時的束手無策,我更堅定態度,選擇如實 娓娓道來我心中思念已久的琵琶⋯。
“Lovesickness expressed on the strings of the Pipa.” “Four strings are like a thousand words, one piece reveals ten thousand emotions”. These are just some of the poetic musings from our ancient poets about the Pipa. Pipa music is so incredibly poetic! One can only be humbled when faced with such tradition; I never feel far from the ancient Pipa works. Another old poet once said “Man meets the moon for the first time, but when did the moon first meet man?” I have learned that in life, one must respect both the ancient and the contemporary. I would like to express my heartfelt thanks to my two incredible teachers, first my beloved mentor, the great Mr. Shi-Chen Lin(deceased Pudong School of Pipa Master / The Pudong branch of Pipa which stands as part of China’s National Historical and Intangible Culture Heritage) who taught me his music and the unique Pudong playing style, striking a unique balance between elegance and strength. And second, Professor Ku-fang Lin who taught me the importance of embracing tradition, while never getting lost in the contemporary world.
Produced by Todd Garfinkle (MA Recordings) and PeiJu Lien (Sweep Music) An MA Recordings Original 5.6 Mhz DSD recording, April 2015 “The Emperor Discards His Armor” and “Dragon Boat” recorded in Chiesa Santa Maria della Mucciatella in Puianello, Italia. Microphones (Italia): MA Recordings custom, line level, DC powered with DPA omnidirectional capsules; designed and built by Junichi Yonetani. All other tracks recorded in the Chapel of Nevian, Aude (Languedoc-Roussillion) France. Microphones (France): DPA-4006 omnidirectional, rebuilt by Marcel Croese; Creato Audio (www.creatoaudio.com) Microphone amplification: Marcel Croese; Creato Audio DSD Recorder: KORG MR-2000S, modified by Marcel Croese; Creato Audio Audio cables: Tombo by Stereolab / Vaictoria by Creato Audio Engineered, edited and mastered by Todd Garfinkle Photography by Todd Garfinkle / Design by Tzu Ying Lien, Jen Hua Tsao PeiJu Lien, a disciple of Master Lin Shicheng, plays in the Pudong style of Pipa performance. Special thanks to Daniele Coen, Paola Lory, Thierry Gomar, Simone Coen and Agriturismo La Razza.
Produced / Todd Garfinkle (MA Recordings) and PeiJu Lien (Sweep Music)
An MA Recordings Original 5.6 Mhz DSD recording
NT$500
當我厭倦了如此紛陳雜沓的藝術現況; 相對於太多藝術家在面對自身傳統時的束手無策,我更堅定態度,選擇如實 娓娓道來我心中思念已久的琵琶⋯。